Showing posts with label X-Men: First Class. Show all posts
Showing posts with label X-Men: First Class. Show all posts

30.12.11

Michelle's Top 10 of 2011, Part 2

5) Rise of the Planet of the Apes




I didn't really want to see this movie. When I first saw the trailer, I found no appeal in apes dominating the world, lashing out against cruel humanity, especially considering it was the prequel to a seemingly cheesy movie about more talking, plotting apes. But there seemed something more deeply sinister and compelling to the story. And there was. Through chimp Caesar, it begs to remind us that apes are people too (you know what I mean). Though it wouldn't have been possible without Andy Serkis behind the CGI, making us feel for Caesar, making him one of us. And yes, by the end, you'll be rooting for them as they wreck havok on our very own.


4) X-Men: First Class




Superhero movies are very formulaic. Act one: A superhero is born. Act two: Evil is born. Act three: Superhero fails against evil. Act four: Superhero strengthens and defeats evil. Right? But this one is different. It's the X-Men flick that goes against the entire series, contradicting story lines and re-defining characters. And thankfully so. What makes this superhero movie stand out against all others is threefold: the story, the acting and the just plain awesomeness. The story is complex, it's about how evil is rooted and the story of how friends with a common enemy became enemies themselves. The acting is amazing. It's almost a toss-up between frenemies James McAvoy and Michael Fassbender, but Fassbender takes it, convincing you that there is some righteousness behind his evil. And then it's just awesome: Watching the mutants harness their powers, picking out familiar faces during the recruitment, then duking it out with the big guns. It puts the rest of the series to shame.


3) Insidious




Yeah, I know judging from the photo above, this movie doesn't look very scary. But that's because I was too scared to search for a different one. Seriously. I can't say much without spoiling it but after a couple moves into a new house, strange, chilling, supernatural things start happening. I saw this movie in theatres and came home running it over and over in my head, afraid to turn the lights off, afraid to go to bed, afraid of the dark and eerie shadows. It went on for days. And when the fear finally went away, it came out on DVD and I watched it again. And it began again. This is exactly why I watch horror movies, the fun in fear, which I rarely get. But I can guarantee you watching this one again will bring nightmares back.


2) Super 8



This was one of the most anticipated movies of the year for me, so it also came with the greatest fear of disappointment. But surpassed my expectations. The J. J. Abrams-directed, Steven Spielberg-produced sci-fi seemed like a darker E.T. And it kind of was. Though what made this movie for me was the kid-cast. Led by Joel Courtney and Elle Fanning, the crew of kids witnessed an awesomely CGI-ed train wreck as it unravelled into mystery and pulled them along with it. These young actors gave some of the most convincing performances I've seen all year, or even ever. Alongside, they've also got a subplot where they're shooting a zombie movie with Joe's (Courtney) Dad's camera, homemade firecrackers and all that good stuff. And then it's screened it during the credits. And let me tell you, it's just as awesome as the movie itself.


1) Midnight in Paris




This movie is sci-fi and fantasy disguised as drama. It's a fairy tale for grown ups, really. Not to mention, it's the funniest movie I've seen all year. Of course everyone is nostalgic about some period in history, some place in the world, some famous faces of the past. And a movie that explores one person's daydream of that is more than charming. But to a girl who loves Paris and literature, this movie becomes nearly her own daydream. Plus, it's hilarious in the most surprising places. "Have you ever shot a charging lion?" Ernest Hemingway (Corey Stoll) asks Gil (Owen Wilson). WHAT?! And Salvador DalĂ­ (Adrien Brody) on about rhinoceroses, and Gertrude Stein's (Kathy Bates) writing advice! So good.

Honourable mentions: Scream 4, Moneyball

3.12.11

The Fille Files (November 26 - December 3)

 REEL GREAT READS



24.6.11

X-Men: First Class


Photo: Twentieth Century Fox Film Corp.

Starring James McAvoy, Michael Fassbender, Kevin Bacon, Rose Byrne, January Jones and Jennifer Lawrence. Directed by Matthew Vaughn. 132 minutes. PG

I'm not big on comics, but I'm big on comic-based films. Is that wrong? At first I thought so. I mean, I used to watch the old cartoon on TV, but besides that, most of my knowledge of X-Men is based on the film franchise, which sounds bad, right? But when the film turns out to be as good as First Class, a solely film franchise fan base is more than justifiable. (And before you judge, don't even pretend that you knew Rambo was based on a book.)

Five films into the franchise, you probably get the gist: a race of mutants is trying to make it in the human world. This film is set before the original trilogy, filling in both the blanks you noticed and the blanks you never knew needed to be filled. The story revolves around the two we now recognise as enemies: Professor X (James McAvoy) and Magneto (Michael Fassbender). But this was way back when they were on the same team.

Although dealing with the same array of characters, being set back a few decades, this film deals with a(n almost) completely new, very refreshing cast. While I respect Hugh Jackman, it gets tiring when nearly a whole franchise revolves around him.

By far the cast stand out was Fassbender as the extremely volatile Magneto. His extreme emotions and radical views keep you nervously on edge throughout. And it should, considering we know how his relationship with Professor X (who by the way was also played impresively by McAvoy). Kevin Bacon did expectingly well as enemy Sebastian Shaw, as did Rose Byrne as CIA agent Dr. Moira MacTaggert (especially considering she's been covering pretty much every genre lately). I only wish Jennifer Lawrence didn't fall fault to clichĂ© lines and had a better chance at bringing out a darker side in Mystique.

While the story was so tense on its own (budding rivalry amid a world war), the score completely amped it. So dramatic, so sharp, it made each scene that much more intense.

Also holding the story intact was great pacing. Sometimes with superhero flicks, the action gets too heavy and detracts from the actual narrative. In First Class, the plot weaves in and out of story and action, keeping both in check without delving too far into one at a time.

If it isn't clear by now, First Class was (IMO) the best addition to the franchise yet. Not to mention, it's also done well with the real comic fans too (at least the ones I know). Though one thing about this film that makes me sad: there's no teaser after the credits. And I want so bad to know what's going to happen next. A