DVDs for V-Day: Love Stories

I'm a hopeless romantic and as such, I can't help but be drawn to epic romance stories. I'm not too big on campy rom-coms (though I've seen too many of them) and I'm not into second chances (true love gets it right the first time). I'm into stories about deeply honest, pure love that goes to no ends to make sure that it is fulfilled. It also helps if someone tragically dies at the end.

This Valentine's Day, I'd like to ask you to suspend disbelief for a few moments and indulge in these moving, deeply emotional stories about love.

4) COLD MOUNTAIN

While Inman (Jude Law) and Ada (Nicole Kidman) are separated throughout most of the film, it's their enduring distant love that pulls you in. Although conscripted in the American Civil War, Inman can't help but follow his heart back to Ada, even if it means deserting the war. Meanwhile, as he treks his way back to her, Ada is left to worry about his safe return, while mourning the death of her father and trying to work the family farm without him. It's a story about hope and faith in a love that endures what feels like endless time to findally be reunited.

3) THE NOTEBOOK

It's tough to put The Notebook on this list without fear of being cliché, but I have to do it. There's a reason that this movie resonates as one of the greatest modern love stories of all time. It's about a guy, Noah (Ryan Gosling), who's unrelenting in chasing his true love, Allie (Rachel McAdams), when things being to fall apart after their picture-perfect summer. Through years of pain and waiting, Noah is unyielding, making for a very bitter-sweet ending.

2) KITES

This underrated Bollywood movie has been one of the most surprising movies I've seen in the past couple years. While it seems much of Bollywood dismisses it because it's so different from their usual fare (no dance numbers, a mix of languages, and extremely rebellious), it's gone mostly unnoticed by the rest of the world who don't look out for Bollywood exports. J (Hrithik Roshan) is an American who marries immigrant women to get them green cards, but when he marries Mexican woman Linda (Bárbara Mori), he feels there's something more there. Meanwhile, she's actually engaged to someone else and plans for divorce once the arrangement is through. But after discovering their true feelings, divorce is out of the question. Of course, her fiancé doesn't take it well and the two flee the country, running from guns and threats and car chases, until they can finally be alone together.

1) MOULIN ROUGE

This is my favourite movie ever. Of all time. Just watching the trailer nearly makes me teary. It's the most epic love story I've ever seen. Christian (Ewan McGregor) is a "penniless writer" who falls in love with Satine (Nicole Kidman), a courtesan and star of the Moulin Rouge night club. Of course, their love can never be; her job prevents her from falling in love, especially with someone who can't afford to keep up with her demands. But their love is destined to be and despite all odds, they see it through. Aside from being a beautiful story, it's also got some of the most stunning set and costume design, along with truly convincing acting. It is the most emotional movie I've ever seen.

DVDs for V-Day: Love/Hate Stories

I swear I'm not here to piss on love stories.

In all honesty, I have much love for more than a few well-known wistful weepies (see: the Brokeback Mountain still kicking around my bedroom wall). But, to build on an idea dreamed up by a possible plagiarist of an Englishman, I think love is much more interesting (not to mention real) when its either sprung from, or becomes remains steeped in, some form of highly repressed hate. And no, it's not because I'm perpetually single. (Although, I'm sure it helps.)

This Valentine's Day let's buck the happily ever afters and those til-death-do-us-part paramours, and celebrate the anti-romances we can't help but love.


4) WHO'S AFRAID OF VIRGINIA WOOLF?

When I was in high school, I read the Edward Albee play which this 1966 film based on. Immediately, I compared it to my then-favourite movie, American Beauty. Looking back now, I admit there are some similarities between the two  - American dreams indefinitely deferred, fully grown couples acting like children towards one another - but this is much more heartbreaking. While American Beauty takes moments to grace our cheeks with rose petals and smidgens of helpless hope, Who's Afraid of Virginia Woolf? laps up the irksomeness, focusing solely on an awkward dinner party between jaggedly jaded, long-married man and wife, George and Martha (real-life doomed duo, Richard Burton and Elizabeth Taylor), and their clueless newlywed guests. Martha's words are so cutting towards her husband at times, her tongue ought to fly off.


3) BLUE VALENTINE

This 2010 drama was almost completely ignored come awards season due to its adverse effect on audiences, who apparently wanted to see Michelle Williams and Ryan Gosling cuddle and make like Mr. and Mrs. Smith (no, not the Angelina/Brad kind) for two hours. What they got instead was something groundbreaking - an up close and too personal (both in script and suggestive shooting) exploration of a relationship that never really was and thus, never really can be, through the eyes of two, equally unremarkable characters. What they got was far too many people's harsh truth.


2) REVOLUTIONARY ROAD 

Before this film, an adaptation of the Richard Yates novel of the same name, was released, it was touted as the much-awaited Jack and Rose reunion we had been waiting for since '97. But unlike Titanic, which brought a fresh-faced Leo DiCaprio and a fire-haired Kate Winslet together through the bow of a boat and the belts of Celine Dion, Revolutionary Road doesn't even try for a happy, heaven-set ending.  Every aspect of this 1950s suburbia-set drama - the bleak coloured clothes, the slow-progressing storyline, and DiCaprio and Winslet's brilliantly vacant, Oscar-deserving (but not nominated) performances - is depressing. But then again, so were plenty of marriages back then, when divorce was a fate worse than death.


1) SID AND NANCY

This one takes the poisoned chocolate cake simply because its doomed subjects - who led destructive, drug- and dagger-addled side-by-side lives until one of them died in a hotel bathroom - were real. The 1986 biopic documents the way-highs and skin-crawling lows of the infamously short-lived romance between Sex Pistols bassist Sid Vicious and his peroxide-happy girlfriend, Nancy Spungen.

Vicious and Spungen's journey was a dirty, sex, suicide pact and syringe-filled one, a fact that is not only admitted in this film, but embraced with reckless artistic abandon. Director Alex Webb brings out an unmatched (unless you count this), brutally infected rawness in his stars, Gary Oldman and Chloe Webb, making much of the movie, which is made up mostly of long-winded verbal and physical fights followed by rabid love-making, near-unbearable to watch. But there's also macabre beauty to all of it, like when Oldman takes to an empty, florescent light-covered stage to sing Vicious cover of "My Way" to his barbed wire crowned babe, or the bloody pair embrace in what will become one of their death beds.